ADN

... so,i'm an avid movie buff when i'm not online & thought i'd start a topic on those overlooked & underrated gems that have been slept on by the vast majority or by the critics. my first movie is:

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Eleven years on & Cop Land still hold up on it's own merits. Sylvester Stallone never really got the credit for putting in a great downplayed & understated performance. instead, most of the media were content to remark on him getting fat when in actuality he stacked on the beef for the role. definitely one of Sly's best performances along with the original & most recent Rocky flicks. the film is loaded with standout performances from DeNiro,Ray Liotta ,Robert Patrick & Harvey Keitel to name but a few. there's even a brief well-done cameo by rapper Method Man. the then up & coming James Mangold's script & direction were that good that that all the big names worked for scale. if you wanna see a great gangster film ,cos that is very much what it is with corrupt cops aplenty. check out Cop Land if you haven't already AF'ers. you won't be disappointed.
;) :thumbs: :thumbs:

btw pls feel free to contribute your own personal underrated faves. :D

Good thread Jig but it seems to have been a bit overlooked itself.... :)


One of my favourite movies, in fact, maybe my absolute favourite, is Beautiful Girls....review below.

This town drama from Ted Demme centers on former classmates coming together for their 10-year reunion. Scott Rosenberg's (Things to Do in Denver When You're Dead) script thoughtfully passes over the usual grumblings of young adults who can't believe they still live in the same snowbound town. They accept--even welcome--their blue-collar jobs, whether plowing snow or cutting hair. Willie (Timothy Hutton), the lone wanderer, returns to his listless house in a state of flux, the piano-bar circuit wearing thin as is his relationship with Tracy, a well-off attorney (Annabeth Gish). He isn't the only one with problems. Tommy (Matt Dillon) occasionally sleeps with his now-married high school sweetheart Darian (Lauren Holly) while the earnest Sharon (Mira Sorvino) is left to wait. Paul (another thickheaded role for Michael Rapaport) refuses to commit to Jan (Martha Plimpton) until it's too late. Paul is enamored with the idea of the supermodel (the title's "beautiful girls") that, he believes, can make life perfect. It's a very satisfying comedy, with some forced poignancy (Willie's description of Tracy as a "seven and a half" comes off as a death sentence). Rosie O'Donnell's dissertation on why Playboy and Penthouse have ruined males' expectations is much like Meg Ryan's orgasm scene in When Harry Met Sally...: it's hilarious, even memorable, never wholly believable.
The two wild cards thrown into Beautiful Girls give the film its kick. Uma Thurman enters as the local barkeep's (Pruitt Taylor Vince) radiant cousin. From the big city, she can flirt with the awestruck guys and still keep her head. Willie's real emotional tug is from Marty, the precocious 13-year-old neighbor. If you didn't see Natalie Portman's sophisticated work in the The Professional, her performance here will come as a revelation. You deeply believe that Willie and Marty are connected despite their age difference. Their courtship will never come to be, but the way the two talk (and talk some more) about their lives is the most insightful part of Rosenberg's script. Everyone's so comfortable in his or her roles that you may truly feel sad when the film ends. --Doug Thomas www.amazom.com


This is a superb movie and I would highly recommend it

Best Regards

Goodog